AES
Articles
Technical papers by Arthur
M. Noxon, PE, presented at various AES Conventions.
Click on the highlighted titles to read selected papers on-line.
Bound copies of the five original manuscripts are available from
ASC for $25.00, postage and handling included. Please call 1-800-272-8823
to order.
These are the first two
articles written by Art about room acoustics and corner bass traps.
The first paper introduces the TubeTrap, shows how it is designed
and how it is used in rooms. The second paper takes a look at how
room modes are managed by corner bass traps.
Listening
Room - Corner Loaded Bass Trap | PDF
Version
-presented at the 79th AES Convention, October 1985
Room
Acoustics and Low Frequency Damping | PDF
Version
-presented at the 81st AES Convention, November 1986
These next two papers
were written in response to the difficulty in accounting for the
satisfaction from TubeTrap use when doing traditional, steady state
room mode analysis, pink noise and tone sweep evaluation of room
acoustics. Articulation accounted for the dynamic aspects of room
acoustics. The first paper covers the details of MTF testing and
the second paper looks at MTF as a global concept in performance
spaces.
Articulation
and the Small Room | PDF
Version
-presented at the 85th AES Convention, November 1988
Articulation-Prerequsite
to Performance | PDF
Version
-presented at the XXth AES Convention
in NY, Nov 19XX
The next two papers are
about acoustic spaces for recording. TubeTraps led recording engineers
to discover that lots of very early reflections produce a better,
more manageable sound than the traditional, reflection-free, dry
studio recording. The first paper introduces the concept of a sampling
room, highly reflective with a fast RT60. The second paper introduces
the free standing QSF version of Haas Saturated recording approaches
the same subject from a generalized overview.
Controlled
Reflection Isolation Booth | PDF
Version
-presented at the 83rd AES Convention, October 1987
Sound
Fusion and the Acoustic Presence Effect | PDF
Version
-presented at the 89th AES Convention, September 1990
This last AES paper by
Mr. Noxon addresses the hot field of acoustic diffusion. It introduces
the concept of coherent and incoherent diffusion, how to measure
it and what each type is good and not good for.
Coherent
and Incoherent Diffusion | PDF
Version
- A discussion of various forms of diffusion and their effects on
the listener.
This AES paper presents
the results of a successful collaboration between Arthur, the authors
who are audio engineers from Croatian Television and our Italian
TubeTrap factory, Acoustica Applicata.
Room
Acoustics For Eurovision 1990 (PDF)
- With the addition of TubeTraps a large music hall with a long
reverb time was successfully converted to a television production
stage.
Magazine
Articles
Articles
by Arthur M. Noxon, PE.
Click on the titles to read articles on-line.
Home
Theater Acoustics
-a five-part article in Home Theater magazine, October 1993
- February 1994
Volume
1 | PDF
Version How the distraction factor of the room is important.
Volume
2 | PDF
Version An overview of common home theater acoustic problems.
Volume
3 | PDF
Version How resonant modes create sound cancellation.
Volume
4 | PDF
Version Speaker positioning for maximum sound.
Volume
5 | PDF
Version Flutter Echo/Flutter Tones in the home theater.
Modes,
Modes and More Modes | Download
PDF Version
- A detailed discussion concerning home theater acoustic priciples
originally published in the October '05 edition of Home Theater
Builder Magazine. Written by Arthur Noxon, PE, Licensed Acoustic
Engineer
History
of Sound Fusion Recording | Download
PDF Version
-We're proud to announce that the June 2007 issue of EQ Magazine
features an article by Mr. Noxon covering the history and development
of our Quick Sound Field system.
Room
Acoustics: Audio's Final Frontier | Download
PDF Version
-A roundtable discussion on room acoustics, equalization, and DSP-based
room correction originally published in The Absolute Sound, October/November,
2004.
The Chain Is As Strong As Its Weakest Link
-an article written for the first Hong Kong Hi-Fi Show, 1993
Trapping Bass In Your Project Studio
| Download
PDF Version
-an article written for db Magazine, November 1991
The Wall in the Desert
-from a lecture given at the Hi-End Audio Show in Milano, Italy,
1993
Church
Articles
Articles
by Arthur M. Noxon, PE written for various magazines.
Church
Acoustics - Unnoticed Means a Successful Job
by Arthur M. Noxon,
PE. Originally featured in Church & Worship Technology,
March, 2008.
Usually,
working with churches is pretty hard. But one day I got the dream
call. It went something like this: Hi. We had some vandals start
a fire and our church was smoke damaged. It was covered by insurance
and the entire inside of the church needs to be removed and resurfaced.
We figure we can use this money to do the acoustic job we always
needed, and still get the painting done. So what do we do?
Auditorium
Acoustics
by Arthur M. Noxon,
PE. A four-part article originally featured in Church &
Worship Technology, April-September, 2002.
The
traditional church is half auditorium and half recital hall in
design. It needs to clearly present speech and yet a few minutes
later in the service it needs to support engaging congregation
singing. A new style of church service has evolved. The emphasis
is on understanding the sermon and less on congregational singing,
it is the church auditorium. Here as a study series to better
understand the design strategies behind church acoustics.
Auditorium Acoustics 101:
The Quieter, the Better
Read
online | Print-friendly
version in PDF
Auditorium Acoustics 102:
Reflections Make All the Difference
Read
online | Print-friendly
version in PDF
Auditorium Acoustics 103:
Speakers Make Sound, Acoustics Clean It Up
Read
online | Print-friendly
version in PDF
Auditorium Acoustics 104
Read
online | Print-friendly
version in PDF
-
by
Arthur M. Noxon, PE. Originally featured in Church &
Worship Technology, October, 2001.
All too often,
a church is built like a civic auditorium--big space and many
seats--yet in the case of a large church, the building is expected
to perform like a church. An auditorium is made for "auditing",
or listening. A church is made for auditing and singing, therein
lies the important difference. Most acoustic design projects,
and churches are no exception, start with a budget and a vision.
By the time the building committee is finished with a fully
functional church, it will have allocated about 10 percent of
the total building budget to the acoustics, and that does not
include the sound system, wiring, the audio room or the sound
equipment. The hope is, after all is said and done, that the
church will actually sound like a church.
Print-friendly
version in PDF
-
Voicing
The Church
by
Arthur M. Noxon, PE.
A short discussion about
the common acoustical problems and solutions associated with churches.
Read
online
|